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“A compelling story illustrated by stirring music”

Simon Halsey about The Dream of Gerontius by Edward Elgar

01.05.2022/0 Comments/in Personalities, Choral works in focus /by Simon Halsey

50 years of Carus – 50 years of passion for choral music, which we share with you. In the Carus anniversary year, each month in the CARUS blog prominent choral directors present their personal highlight from five centuries of choral music for you.

I live and work in Birmingham. Elgar is all around me there: I teach at the University at which he was Professor; I am on the staff of the City of Birmingham Symphony Orchestra of which he was a founder; I walk past the Town Hall every day and the stones seem still to echo to the sounds of the great oratorios premiered there amongst them Mendelssohn’s Elias and Elgar’s The Dream of Gerontius.

The city was founded to be a haven for those who dissented from the established Church of England. Elgar and the librettist Cardinal Newman were part of the large Catholic community established alongside the Methodists and the Quakers. The City was a hub of activity, one of Europe’s richest and best governed cities and it was a hotbed of creativity.

In Germany, Elgar’s name is of course familiar but Gerontius (for me one of the very finest choral works ever written) is not quite part of the regular repertoire and it should be!

Carus’s new edition will bring it to wider attention. It’s glorious Romantic music: melodic, fabulously orchestrated, chorally adventurous with great solo roles. Like the best oratorios, it tells a compelling story illustrated by stirring music. One of the highlights is the momentary vision of God as the clouds briefly part to reveal the seat of the Lord in Heaven.

I have trained choruses all over the world for this fabulous work. The reaction is always ecstatic: why didn’t we know this masterpiece before?
So I offer you the chance to become acquainted with one of music’s richest scores. Don’t wait!

Edward Elgar: The Dream of Gerontius
Carus 23.004

Simon Halsey occupies a unique position in classical music. As a professional, he advises orchestras and choirs worldwide on choral singing; as an ambassador for amateur choral singing, he has conducted groundbreaking mass choral events, most notably for New York’s Lincoln Center. Among other things, he is chorus director of the London Symphony Orchestra and Chorus and the City of Birmingham Symphony Orchestra Chorus.

Edward Elgar

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The Dream of Gerontius

“This is the best of me”, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar’s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God.

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How calmly the evening

separate edition from choral collection Wiegenlieder

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Enigma Variations op. 36

Not only the famous Nimrod, but also most of the other 14 Enigma Variations by Elgar – affectionate portraits of people from the composer’s circle – are extremely suitable for performance on the organ. This is reflected in this edition, which contains Nimrod as well as ten other variations from the cycle for the first time in arrangements for organ. These are based on the two original versions for orchestra and for piano. The arrangements of these marvellous atmospheric variations are of moderate difficulty and are equally suitable for performance in concert or church services.

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O salutaris hostia

separate edition from choral collection English Choral Music

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Vesper Voluntaries

With his Vesper Voluntaries, Edward Elgar composed a wealth of organ pieces for performance in church services and concerts. The wonderful miniatures, composed in song form, two to three minutes in length, can be performed individually or as a complete cycle. They are of moderate difficulty and intended for manuals, but they can optionally also be played with pedal. This Urtext edition is based on the first printed edition edited by Elgar himself, which has been carefully checked through. Useful suggestions on performance in the foreword complete the new edition.

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Ave Maria

separate edition from choral collection English Choral Music

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Ave verum corpus

separate edition from choral collection Freiburger Chorbuch

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Three marian songs

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