Ton Koopman on Handel’s Messiah
Ton Koopman describes his personal experiences of performing Handel’s groundbreaking and richly expressive “Messiah” in CARUS Highlights.
CARUS Highlight
The following articles on the keyword "CARUS Highlight" have previously appeared in the CARUS blog.Tag Archive for: CARUS Highlight
Bruckner’s Mass in E minor
María Guinand writes in CARUS Highlights about Anton Bruckner’s “Mass in E minor” – a dramatic but intimate masterpiece.
Simon Halsey about Elgar’s “The Dream of Gerontius”
Simon Halsey writes in CARUS Highlights about Edward Elgar’s “The Dream of Gerontius” – a masterpiece that deserves more attention.
Sir John Eliot Gardiner about Monteverdi’s “Vespers 1610”
Sir John Eliot Gardiner writes about Claudio Monteverdi’s “Vespers 1610” in CARUS Highlights – a work that captivates everyone.
Jan Schumacher and Beethoven’s “Missa solemnis”
In the CARUS Highlights, Jan Schumacher writes about Beethoven’s “Missa solemnis”: an oratorio that challenges both, musicians and recipients.
Rilling on the German Requiem by Brahms
In the CARUS Highlights, Helmuth Rilling writes about Brahms’ “Ein Deutsches Requiem” (A German Requiem) – a piece he even wrote a book about.
Frieder Bernius on Mendelssohn’s “Elijah”
In the CARUS Highlights, Frieder Bernius writes on Mendelssohn’s “Elijah”, one of the most popular oratorios of all.
