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At this spot our experts for sacred and secular choral music regularly write about their and your current favorite topics.
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(c) Martin Förster
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Sylvia Detzel2022-10-28 09:00:242022-10-28 09:08:05Hans-Christoph Rademann on Schütz’s Psalms of David
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Sylvia Detzel2022-09-29 08:38:182022-09-29 10:10:19Masaaki Suzuki on Buxtehude’s Membra Jesu nostri
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Sylvia Detzel2022-09-19 12:04:372022-08-19 12:12:41Georg Philipp Telemann’s Donner-Ode and Die Tageszeiten
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Sylvia Detzel2022-09-01 08:00:242022-08-02 15:55:23Simon Carrington on Haydn’s The Creation
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Sylvia Detzel2022-08-28 13:39:512025-02-17 09:24:41Recycling and borrowing in J.S. Bach’s works
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Sylvia Detzel2022-08-10 09:08:392025-02-17 09:26:42Through the Year with Schütz IV: Death – Mourning – Swan Song
Marianna von Martines
/0 Comments/in Choral works in focus, Personalities /by Joseph TaffOnly in the last few years has Marianna von Martines (1744–1812) finally begun to win the recognition she deserves as an important composer of the eighteenth century. Martines’s synthesis and mastery of both old and new styles is a central theme in her works, and scholars studying her music have pointed it out frequently. It is especially evident in her sacred choral-orchestral works, one of the earliest being the Seconda Messa of 1760.