300 years of J. S. Bach in Leipzig

A concert recommendation for Christmas 2023

In Leipzig during Bach’s time, the festive season looked very different to what we know today: rather than filled with Advent and (most popular) Christmas concerts, this was a time of quiet reflection, i.e. without music. For this reason, the massive program that Bach performed on 25 December 1723 in the city’s two main churches must have left the congregations rather stunned.

They heard the cantata Christen, ätzet diesen Tag (Christians, etch this blessed day, Carus 31.063), BWV 63, which Bach brought with him from Weimar, and in the afternoon, the first performance of the Magnificat, BWV 243a (Carus 31.243), with the Christmas insert movements (BWV 243a, A–D, Carus 31.243/50). These two masterpieces are still highly suitable today for festive performances. A short concert program can be created by placing the Sanctus in D, BWV 238 (Carus 31.238), which was probably also heard for the first time on 25 December 1723, between the cantata and Magnificat. The Sanctus is a work for small ensemble in which the cornett can be replaced by dividing the violins into three rather than two voices.

If a solid hour of music is not enough, the program can be expanded either by opening with the cantata Nun komm, der Heiden Heiland (Come now, God’s chosen Saviour, Carus 31.061), BWV 61, first performed on the 1st Advent of 1723, or close in exuberant fashion with the New Year’s Day cantata Singet dem Herr (Sing to the Lord, Carus 31.190), BWV 190.1, from January 1st. An hour-long cantata program (namely without Sanctus and Magnificat) could feature BWV 61, 63 and 190.1. Instead of the risky E-flat major version of the Magnificat, BWV 243.1, we recommend Bach’s later and less problematic version in D major, BWV 243.2 (Carus 31.243), for which the Christmas insert movements are also available transposed to D.

A variation in the prevailing key of D major can be achieved by including the cantatas for the Second or Third Days of Christmas 1723 (e.g. instead of Sanctus and Magnificat), although this will require horns for Dazu ist erschienen der Sohn Gottes (Christ was manifested for this purpose, Carus 31.040), BWV 40, (2nd Day) or cornett and three trombones for Sehet, welch eine Liebe (See now, what kind of love, Carus 31.064), BWV 64 (3rd Day) (BWV 61, 63, 40 or 64 and 190.1: approx. 90 min.)

Sanctus in D
Johann Sebastian Bach
BWV 238, 1723 (?)
Carus 31.238

Sehet, welch eine Liebe (See now, what kind of love this is)
Johann Sebastian Bach
Cantata for the 3rd day of Christmas BWV 64, 1723
Carus 31.064

Dr. Uwe Wolf has been chief editor at Carus since 2011. Previously, he was involved in Bach research for more than twenty years. He is continually fascinated by new discoveries and intricate situations regarding surviving musical material from the Baroque era.

BWVPerformance in 1723/24Duration in min. (approx.)SoliChoirBrassWoodw.Strings, Bc.
611st Sunday of Advent18STBSATB2 Vl, 2 Va, Bc
63Christmas Day30SATBSATB4 Tr, Timp3 Ob2 Vl, Va, Bc
238Christmas Day2SSATBCtto (col S)2 Vl, Va, Bc
243Christmas Day, afternoon35SSATBSSATB3 Tr, Timp2 Fl, 2 Ob2 Vl, Va, Bc
(402nd Day of Christmas20ATBSATB2 Cor2 Ob2 Vl, Va, Bc)
(603rd Day of Christmas24SABSATBCtto, 3 TrbObda2 Vl, Va, Bc)
190.1New Year’s Day19ATBSATB3 Tr, Timp3 Ob, Fg2 Vl, Va, Bc

Related works

Nun komm, der Heiden Heiland (Come now, God’s chosen saviour), BWV 61

Bach Nun komm 61 The opening chorus uses the first verse of the old plainsong hymn “Veni redemptor gentium”, which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church.

Singet dem Herrn ein neues Lied (Sing to the Lord a new-made song), BWV 190

Johann Sebastian Bach Singet dem Herrn ein neues Lied 91 The cantata BWV 190 has survived only in fragmentary form. This reconstruction by the celebrated Bach experts Masaaki and Masato Suzuki goes far beyond previous attempts; it draws upon only thematic and motive material of the movements themselves, closely interwoven.

Christen, ätzet diesen Tag (Christians, etch this blessed day), BWV 63

Johann Sebastian Bach Christen, ätzet diesen Tag 63 With its scoring for a large number of performers, who according to earlier practice were divided into various groups, this Cantata is clearly a festive work.

Die Elenden sollen essen (All the starving shall be nourished), BWV 75

BWV 75 With the cantata “Die Elenden sollen essen” (All the starving shall be nourished), the newly elected Thomaskantor Johann Sebastian Bach introduced himself to the people of Leipzig at the end of May 1723.

Brich dem Hungrigen dein Brot (Give the hungry ones thy bread), BWV 39

The 1st Sunday after Trinity marks the beginning of the school year in Leipzig and the start of a new cantata year for the Thomaskantor.

Was Gott tut, das ist wohlgetan (Whatever God ordains is right), BWV 98

BWV 98 The hymn “Was Gott tut, das ist wohlgetan” (Whatever God ordains is right) serves as the opening movement in three of Bach’s cantatas: BWV 98-100.

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