A previously unknown manuscript in the Puccini Archive in Torre del Lago was identified as the autograph score of the Preludio a Orchestra – and it turned out to be complete! The fourteen missing measures have been copied from this source, so that the complete Preludio can now be performed in its original form.
Our editor Barbara Großmann gives an overview of Lortzing’s life and work.
Julia Schwartz composes in practically all genres, and several of her compositions have already been published by Carus. She answers six questions in the Carus interview.
Karin Rehnqvist is one of Sweden’s best known and most widely performed composers, Carus has published her composition “Universe”. We have asked her some questions.
Elisabeth Fußeder has published her choral cycle “waldeslust” with Carus. She answered our questions in this interview.
In this interview, the composer talks about his most emotional musical experience and his current projects.
In this interview, the composer talks about his most emotional musical experience and his current projects.
Universal is an ambitious adjective, but one which perhaps best describes the musician Karl Albrecht Fischer, alias “Bobbi Fischer”. Beginning with classical music, his musical horizons encompass chansons, Latin music and jazz, and extend to world music.
It is a repertoire from which quite different programs can be derived – both in terms of length, scoring, level of difficulty (which is moderate in many compositions), but also in terms of fundamental conception: possibilities would be to focus on either a feasible liturgical sequence or a musical exploration of different aspects of the Selva.
