Rehnqvist

6 Questions for Karin Rehnqvist

An Interview

Karin Rehnqvist is one of Sweden’s best-known and most frequently performed composers. She has published the choral work Universe with Carus-Verlag. We’ve asked the Swedish composer some questions.

What was your first composition?

It was a work for solo voice, flute and piano, which I played with friends in a school auditorium at our graduation ceremony. All my classmates were listening. I was 18 years old at the time. Today I think it was very brave.

Which other composers inspire you?

Monteverdi, Galina Ustvolskaya, Bartok – to name just a few. I’m also very inspired by Swedish folk music, which you can hear in my music.

Your most emotional musical experience to date?

It sounds a bit narcissistic, but it’s always very emotional to hear your own music in concert, especially if it’s a new piece or a world premiere. I’ve spent so much time with the piece while composing, and then I feel it with my whole body, all my senses and emotions. I’ve just returned from Helsingborg, where my oratorio “Silent Earth” about the climate crisis was performed. The theme itself is very dramatic, and so of course is the music. The choir and orchestra played the piece very intensely and expressively.

Where do you prefer to compose?

At home. I need my piano, my desk, my chair, my computer table.

What are you working on at the moment?

A little Christmas carol for children’s choir and an opera for children.

When you’re not composing or making music, then…

I love hiking in nature and spending time with family and friends.

Universe
Choral work for mixed choir by Karin Rehnqvist
Carus 9.272/00

Karin Rehnqvist (born 1957) is one of Sweden’s best known and most widely performed composers. From chamber music to orchestral, stage and vocal works, she has blazed a unique cross-genre trail. One of her signature motifs is the extraordinary vocal technique of Kulning, the ancient call of Nordic herding girls to drive in their flocks.

Works by other female composers at Carus

Aya Sivan: Never too small

Never too small by the composer and singer-songwriter Aya Sivan is written in the style of a lively pop ballad. The lyrics encourage everyone to take a stand in support of climate and environmental protection: You are never too small to make a difference! The theme is set to music in a fun way that will appeal to both youth and adult choirs.

  • Current topic “Our Voice for Our Planet”
  • Upbeat pop ballad in singer-songwriter style
  • Prize-winning entry in the youth choir category at the “females featured” composition competition of the Baden-Württemberg Choir Academy 2023

Tina Ternes: For our planet

In her piece For our planet, music teacher and composer Tina Ternes uses both music and text to remind us to treat our planet with care and respect. She has created a thrilling pop composition that is guaranteed to inspire youthly choirs. The work is a motivational anthem: Protect our planet! One of the most important issues of our time is thus addressed through music. This is not only a great choice for youth choirs but also for three-voice mixed choirs.

Lucia Birzer: Afterwards

afterwards

A text by the American poet Sara Teasdale (1884–1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our earth in a post-human age. For Lucia Birzer, the motivation to set these words to music is the climate catastrophe. Musically, the work is meditative and reflective. Initially, three soloists tell the story almost like recitative, while the choir intones atmospherically in the background. Then the choir takes over and brings the narrative to a dramatic climax.

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