On November 16, 1672, the electoral conductor Heinrich Schütz died in Dresden at a very old age. The 350th anniversary of his death in 2022 gives us the opportunity to remember one of the most important and groundbreaking composers in our musical history.
On November 16, 1672, the electoral conductor Heinrich Schütz died in Dresden at a very old age. The 350th anniversary of his death in 2022 gives us the opportunity to remember one of the most important and groundbreaking composers in our musical history.
On November 16, 1672, the electoral conductor Heinrich Schütz died in Dresden at a very old age. The 350th anniversary of his death in 2022 gives us the opportunity to remember one of the most important and groundbreaking composers in our musical history.
Johann Sebastian Bach’s secular cantatas provide an exciting insight into his activities between city and court, between the beginning of the Enlightenment and absolutism. Activities which probably characterized a successful life back then, but seem slightly strange to us now, perhaps even disconcerting. Uwe Wolf has researched the circumstances surrounding the composition of Bach’s wonderful Hunting Cantata, and went on the trail of Bach in Weissenfels. Come along with us!
Camille Saint-Saëns’ lavishly orchestrated setting of the Requiem calls for no fewer than four harps. This expressive work moves and fascinates listeners in equal measure, including our Chief Editor Uwe Wolf. It has long been a heartfelt desire of his to enable as many musicians as possible to perform this work – including groups with more limited resources at their disposal. For the Saint-Saëns anniversary in 2021, Carus is publishing an arrangement for strings, harp, and orchestra by Klaus Rothaupt.
The C Minor Mass KV 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of “the” Mass is inaccurate, for basically it is no more than a musical torso, with many puzzles and problems, yet full of magnificent music. We look into the intriguing history of its composition and transmission.
It is a repertoire from which quite different programs can be derived – both in terms of length, scoring, level of difficulty (which is moderate in many compositions), but also in terms of fundamental conception: possibilities would be to focus on either a feasible liturgical sequence or a musical exploration of different aspects of the Selva.
Every month a member of the Carus team introduces his/her favorite work, whether it be a choral piece, a CD, a songbook or an instrumental work. The recommendation for April 2019 was contributed by Uwe Wolf.
For the first time, Uwe Wolf got to know Heinrich Schütz’s Saul in his youth when he was just joining the choir as bass. The piece made such a deep impression on the boy, it continues to this day …
