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Barbara Großmann
(c) Sven Cichowicz

About Barbara Großmann

Barbara Großmann has been working as an editor at Carus-Verlag since 2004, specializing in the music of French composers, among other things. She conducts various choirs and plays the violin and viola.

Entries by Barbara Großmann

Heinrich Kaminski (1886–1946)

12.08.2024/in Personalities, Music stories/by Barbara Großmann

It was not until the beginning of 1944 that he managed to find words, if not yet sounds, for the “et in terra pax”. It was Kaminski’s fervent wish to complete the mass: He wanted “to be able to finish these two works [Die Messe deutsch, Das Spiel vom König Aphelius]; then, as far as a human being can say, I will wave a confident farewell to this world when the hour comes.”

The “astonishing pathways” of Albert Lortzing

25.03.2024/in Personalities/by Barbara Großmann

Our editor Barbara Großmann gives an overview of Lortzing’s life and work.

César Franck: “Les Béatitudes”

29.10.2021/in Personalities, Choral works in focus/by Barbara Großmann

César Franck regarded his oratorio “Les béatitudes” as his most important work. The first performance of the version with piano accompaniment was given in Franck’s private apartment. But the “real” premiere of the orchestral version with over 250 performers took place only after the composer’s death in 1891 in Dijon. It was an overwhelming success, as was the Paris premiere in March 1893.

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Performance Calendar

  • Eric Mayr / Ursula Mayr
    Mäuse in der Michaelskirche. Ein Spiel mit viel Musik
    18.07.2026
  • Antonín Dvorák / Joachim Linckelmann (arr.)
    Te Deum. Bearbeitung für Kammerorchester (arr. J. Linckelmann) op. 103
    18.07.2026
  • Antonín Dvorák / Joachim Linckelmann (arr.)
    Messe in D. Bearbeitung für Bläserquintett (arr. J. Linckelmann) op. 86
    19.07.2026
» All performances

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