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Werner Breig

„Thy statutes have been my songs“

01.01.2018/0 Comments/in Choral works in focus /by Werner Breig

Heinrich Schütz probably regarded his last opus as an artistic statement of particular importance: he called it his “Schwanengesang” or swansong. But the work then fell into oblivion for several centuries. The edition in the Stuttgart Schütz Edition offers a unique interpretation of the “Schwanengesang” based on the surviving sources.

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https://blog.carus-verlag.com/wp-content/uploads/2022/06/Blogbeitrag-Schuetz-Magazin.jpg 698 1848 Werner Breig https://blog.carus-verlag.com/wp-content/uploads/2020/05/carus-verlag-website-logo.png Werner Breig2018-01-01 09:51:272024-06-27 09:51:51„Thy statutes have been my songs“
Tristan Meister

Rheinberger: Cantus Missae op. 109

01.01.2018/0 Comments/in Favorite Works /by Tristan Meister

Amongst Rheinberger’s 14 mass settings, the Mass in E flat major op. 109 (Cantus Missae) composed in 1878 undoubtedly holds a special position. This mass must, in the opinion of Tristan Meister, count as one of the most important church music compositions of the Romantic period and is worthy of a place in the repertoire of every ambitious choir.

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https://blog.carus-verlag.com/wp-content/uploads/2020/05/Favorite_works_blog.jpg 332 878 Tristan Meister https://blog.carus-verlag.com/wp-content/uploads/2020/05/carus-verlag-website-logo.png Tristan Meister2018-01-01 07:22:352020-11-05 07:51:56Rheinberger: Cantus Missae op. 109

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Performance Calendar

  • Felix Mendelssohn Bartholdy / Jan-Benjamin Homolka (arr.)
    Wie der Hirsch schreit. Der 42. Psalm. Bearbeitung für Kammerorchester (arr. Homolka) MWV A 15
    25.10.2026
  • Felix Mendelssohn Bartholdy / Jan-Benjamin Homolka (arr.)
    Wie der Hirsch schreit. Der 42. Psalm. Bearbeitung für Kammerorchester (arr. Homolka) MWV A 15
    25.10.2026
  • Felix Mendelssohn Bartholdy / Jan-Benjamin Homolka (arr.)
    Wie der Hirsch schreit. Der 42. Psalm. Bearbeitung für Kammerorchester (arr. Homolka) MWV A 15
    25.10.2026
» All performances

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